Join Weird Fictions Research Group for our fourth Mythos, Inc. meeting this semester.

This time we’re inviting you to a workshop on the current reiterations of the Persephone and Demeter myth.

Monday, May 29, 2023
at 4:45 pm 

You can get 3 OZN points for participating in this event.

Where?

Dobra 55, room 0.256
(the building features some mobility accommodations: ramp and lift)

Registration deadline: May 26, 2023 (10pm)
Registration at a.kotwasinska@uw.edu.pl
Limit: 15 people

What?

Prior to the workshop the participants will be asked to familiarise themselves with Rachel Smythe’s webtoon “Lore Olympus”.

Our group members will be leading the workshop but we encourage everyone who joins us to take part in this little knowledge-production experiment. This means we’re not asking you to read any theory or secondary sources for this workshop but we’re asking you to research Persephone and Demeter on your own before our meeting. You can simply Google the myth and check its Wikipedia page, or watch TV shows or movies inspired by the myth, maybe read some myth-inspired fiction or scholarly articles on the topic, or check TikTok and social media for #persephone and #hades and #demeter, or maybe talk with friends and ask them about the myth. Basically, you decide how much you want to prepare and in what ways, and what you may want to bring to the table.

Who?

Agnieszka Kotwasińska is an Assistant Professor at the American Studies Center, the University of Warsaw. She works in Gothic and horror studies, gender studies and queer theory, and feminist new materialism(s). Her research interests center on embodiment in the so-called low genres, death, illness and mourning in horror, and schizoanalysis. She has published articles in Somatechnics, Praktyka Teoretyczna, and Humanities, among others. Her first monograph on contemporary American horror fiction will be published by University of Wales Press in mid-2023.

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.