We are delighted to invite you to the opening lecture of the American Studies Colloquium Series in the 2024/2025 Fall semester!

Marco Mariano
(University of Turin)

Building a Hemispheric Empire. The United States in Latin America, 1898-1945

Thursday, November 14, 2024
at 4:45 p.m.

You can get 3 OZN points for participating in this event.

Where?

Dobra 55, room 3.014
(the building features some mobility accommodations: ramp and lift)

What?

Most historians agree that the US has played an imperial role in 20 th -century Latin America. However, what kind of empire was that? Was it based on dollars or bullets? Latin American elites and public opinion were passive actors within “empire’s workshop” or were actively “cooperating with the colossus”?

Focusing on the first five decades of the 20 th -century, I argue that Washington built a hemispheric empire whose most distinctive feature was to be found in the material and immaterial infrastructures that enabled Washington to put in place what Paul Kramer defined an “international empire”.

First, the construction of the Panama canal (1903-1014) signaled the control of the isthmus, the Circum-Caribbean and eventually the hemisphere. That major feat of engineering was proof of the decisive power of the state in fostering imperial policies. At the same time, it showed that the US was an empire among empires whose development hardly fits exceptionalist understandings of US history.

Second, since the late 1920s Pan American Airways accelerated the development of civil aviation across the Americas and connected the hemisphere to an unprecedented degree. The net result of the close partnership between Washington and Wall Street, Pan Am reinforced inter-American cooperation through the depression and during World War II, thus paving the way to a closer institutional integration across the Western hemisphere.

Third, such integration was fully achieved through the Inter-American conferences of the late 1930s and early 1940s, which marked the zenith of 20 th -century Hemispheric relations and a new model of regional governance. While wrapped in the mantle of cooperation among good neighbors, the inter-American system provided an imperial framework which enabled the US to launch its quest for global leadership after 1945.

By controlling, connecting, and governing the hemisphere the US built a new kind of empire, whose importance is by no means limited to the history of Inter-American relations.

Who?

Marco Mariano is an Associate Professor of US history at the University of Turin. His fields of interest are Atlantic history, the history of historiography and the history of US foreign relations, with a focus on Inter-American relations. He is the author of TROPICI AMERICANI. L’IMPERO DEGLI STATI UNITI IN AMERICA LATINA, 1903-1989 [American Tropics. The US Empire in Latin America, 1903-1989], Einaudi 2024 (forthcoming).

Year 2024/2025

10 Grudnia: Odmieńczość: Obywatelstwo Seksualne i Archiwum – Premiera Książki

November 25, 2024

Zapraszamy na dyskusję z udziałem prof. Tomasza Basiuka, prof. Agnieszki Kościańskiej i dra Jędrzeja Burszty, redaktorów książki “Odmieńczość: obywatelstwo seksualne i archiwum”, która ukaże się nakładem Wydawnictw Uniwersytetu Warszawskiego. Rozmowę poprowadzi dr Ludmiła Janion.

American Studies Colloquium Series

December 5: Reinventing the Past to Change the Future: Alt-History and Reactionary Futurity

November 25, 2024

This presentation examines “alt-history” as a mode of reactionary worldbuilding, with a focus on how far-right influencers use alternate histories to reshape public understandings of the past and galvanize political action. Through examples like Tucker Carlson’s Patriot Purge and Dinesh D’Souza’s Death of a Nation, the talk explores how reactionary narratives blend science fictional techniques with conspiracy fantasies to legitimize authoritarian politics. The discussion includes a genealogy of the right-wing myth of “liberal fascism,” tracing its evolution and role in contemporary ideological landscapes shaped by historical revisionism and speculative worldbuilding.

American Studies Colloquium Series

November 28: Soviet-Born Jewish Literature between North America and Germany

November 22, 2024

In this conversation, Stuart Taberner (University of Leeds) and Karolina Krasuska (University of Warsaw) will explore some of the parallels and contrasts between the experiences of Soviet Jews who migrated to Germany and the United States in successive waves since the 1960s. Specifically, they will examine the literary production of these cohorts of Soviet Jewish migrants, relating to arrival in the destination country, the reconfiguration of Jewish identity, gender, and Holocaust memory. Following a brief introduction to the historical, sociological, and literary context in Germany and the USA, Stuart and Karolina will engage in a discussion of key points of comparisons and difference.

Year 2024/2025

November 21: “House of Horrors: Familial Intimacies in Contemporary American Horror Fiction” Author’s Meeting

November 19, 2024

Join us on November 21, 2024 for an author’s meeting with Dr. Agnieszka Kotwasińska about her book “House of Horrors: Familial Intimacies in Contemporary American Horror Fiction” published last year by the University of Wales Press. Dr. Kotwasińska will be joined by Dr. Sorcha Ní Fhlainn, and the event will be moderated by Dr. Jędrzej Burszta.

Year 2024/2025

November 20: ‘A Plane out of Phase’ – The Dark Continuance of the Gothic 1980s

November 19, 2024

Weird Fictions Research Group invites you to join for a fantastic (no pun intended) lecture by our guest, Dr. Sorcha Ní Fhlainn from Manchester Metropolitan University! This lecture asks you to consider the dark return of the Gothic 1980s in contemporary culture. Drawing upon ideas and examples of sequelisation, IP branding, apparatus theory, YouTube video curation, nostalgic programming, weird TV, and music, and the confluence of such forms in streaming series including Stranger Things and the current media adoption of Dark MAGA, this lecture invites you to examine the toxicity of the rhetoric of restorative projections and to query its undervalued reflective nostalgia as imagined onscreen to reclaim the future from the precarious dark present.